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Koine Greek Pronunciation Systems
How to pronounce Greek has become a contentious issue within NT Greek pedagogy (see a recent discussion of this here). There are valid arguments that can be made for using different systems, and you can choose your own based on your preferences. There are generally two questions to consider:
1. Is the system is pedagogically advantageous? This could be based on how many sound distinctions there are between letters (the more the better), or how many resources are available with this system.
2. Does the system accurately represent any historical period of the language's pronunciation? This question can be important if you want a more "authentic" experience of the language, which can be useful for motivation.
Below is a breakdown of the four major Koine Greek pronunciation systems:
- Modern — if you ever plan to learn the Modern Greek language, you should probably go with Modern pronunciation. Otherwise, it can be difficult pedagogically because all the vowels sound the same. However, there is a certain beauty to this pronunciation, and it also opens the door to more (and higher quality) audio recorded by native Greek speakers. It is also the only system that we know for certain is "authentic", as it accurately represents how modern Greek speakers pronounce the language.
- Koine (reconstructed) — this is perhaps the more common system among those who do "conversational" or "spoken" biblical Greek, so it can be pretty useful if you plan to be in circles that use this approach. It makes more sound distinctions than Modern, but still not as many as other systems. In terms of historical authenticity, this system is meant to be an authentic historical reconstruction, but it's accuracy is debated. (You can hear Kevin discuss this pronunciation system with it's creator, Ben Kantor, here)
- Early High Koine — also more common among those doing conversational/spoken biblical Greek, but probably not as common as Koine (reconstructed). However, there are 2 big benefits here: (1) it's the most similar to Erasmian, so it will overlap with the seminary world well, and (2) it makes the most pronunciation distinctions between letters, which is helpful pedagogically. This system is also meant to be an authentic historical reconstruction, but it's accuracy is also debated.
- Erasmian — this is the most common system used in seminaries, so it could be useful if you plan to be in the world. However, since typically speaking/conversation is not emphasized in that world, it doesn't matter that much. Otherwise, this system is sort of a weird "in between" because it does not represent an actual historical pronunciation, nor is it the most pedagogically advantageous. However, it terms of sound distinctions, it is more advantageous than both Modern and Koine.
What is more important than your choice in pronunciation is that you commit to using your pronunciation. Speak in Greek out loud over and over again, and your understanding of Greek will be improved, no matter what pronunciation you are using. You can learn Greek adequately in any system that you choose as long as you use the language. This is an important point that should not be glossed over. Studies have shown that you are pronouncing the sounds in your mind as you read, regardless of whether you are saying anything out loud. The implication is that being more proficient at whatever pronunciation system you choose will facilitate your reading, and being a better reader of Greek will deepen your understanding of the biblical text.
In phonetics, the study of the acoustic nature of sounds, the International Phonetic Alphabet (IPA) is a symbolic system that allows linguists to represent any sound that the human mouth can make with a unique symbol. For our purposes, this allows us to distinguish between the four pronunciation systems in an accurate way, as we do in the chart below. You can also easily look up the IPA symbol to learn more about how to pronounce each of the sounds in whatever system you choose.
The order that we present the sounds below is based on sound quality and not on order in the alphabet (you can see the order of the alphabet here). Similar sounds are presented together, so that they can be contrasted with one another. This is not the best way to learn the sounds (and it is not the order we teach them in), since learning similar sounds together can create confusion. We recommend that you learn the sounds in the order given in our lessons and you use these tables to compare the sounds, both within the same pronunciation system and between systems.
Consonants
| Greek | Modern | Koine | EH Koine | Erasmian |
|---|---|---|---|---|
| β/Β | /v/ | /v/, /β/ | /b/ | /b/ |
| π/Π | /p<sup>=</sup>/ | /p<sup>=</sup>/ | /p/ | /p/ |
| δ/Δ | /δ/ | /δ/ | /d/ | /d/ |
| τ/Τ | /t<sup>=</sup>/ | /t<sup>=</sup>/ | /t/ | /t/ |
| γ/Γ | /γ/ | /γ/ | /g/ | /g/ |
| κ/Κ | /k<sup>=</sup>/ | /k<sup>=</sup>/ | /k/ | /k/ |
| φ/Φ | /f/ | /f/ | /f/ | /f/ |
| θ/Θ | /θ/ | /θ/ | /θ/ | /θ/ |
| σ, ς/Σ | /s/ | /s/ | /s/ | /s/ |
| χ/Χ | /x/ | /x/ | /x/ | /x/ |
| ζ/Ζ | /z/ | /z/ | /zd/ | /dz/, /z/ |
| ξ/Ξ | /ks/ | /ks/ | /ks/ | /ks/ |
| ψ/Ψ | /ps/ | /ps/ | /ps/ | /ps/ |
| μ/Μ | /m/ | /m/ | /m/ | /m/ |
| ν/Ν | /n/ | /n/ | /n/ | /n/ |
| λ/Λ | /l/ | /l/ | /l/ | /l/ |
| ρ/Ρ | /ɾ/, /r/ | /ɾ/, /r/ | /ɾ/, /r/ | /ɹ/, /r/ |
| γγ | /ŋg/ | /ŋg/ | /ŋg/ | /ŋg/ |
| γκ | /ŋk/ | /ŋk/ | /ŋk/ | /ŋk/ |
| γξ | /ŋks/ | /ŋks/ | /ŋks/ | /ŋks/ |
| γχ | /ŋx/ | /ŋx/ | /ŋx/ | /ŋx/ |
Vowels
| Greek | Modern | Koine | EH Koine | Erasmian |
|---|---|---|---|---|
| α/Α | /a/ | /a/ | /a/ | /a/ |
| ε/Ε | /ε/ | /ε/ | /ε/ | /ε/ |
| η/Η | /i/ | /e/ | /eː/ | /ei/ |
| ι/Ι | /i/ | /i/ | /i/ | /i/, /I/ |
| ο/Ο | /o/ | /o/ | /o/ | /ɔ/ |
| υ/Υ | /i/ | /y/ | /y/ | /u/ |
| ω/Ω | /o/ | /o/ | /oː/ | /o/ |
Table 7 (continued)
| Greek | Modern | Koine | EH Koine | Erasmian |
|---|---|---|---|---|
| αι | /ε/ | /ε/ | /ai/ | /ai/ |
| ει | /i/ | /i/ | /ei/ | /ei/ |
| οι | /i/ | /y/ | /oi/ | /oi/ |
| υι | /i/ | /yi/ | /yi/ | /ui/ |
| αυ | /af/ | /af/ | /au/ | /au/ |
| ευ | /ev/ | /ev/ | /eu/ | /u/ |
| ηυ | /ev/ | /ev/ | /eːu/ | /u/ |
| ου | /u/ | /u/ | /uː/ | /u/ |
| ᾳ | /a/ | /a/ | /aː/ | /a/ |
| ῃ | /i/ | /e/ | /eː/ | /ei/ |
| ῳ | /o/ | /o/ | /oː/ | /o/ |
| ἁ (rough breathing) | None | None | /h/ | /h/ |
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